I would have been about 10 yrs old
when director Ken Russell unleashed
'The Devils' on the world, when the cinema
close to where I lived was closing down.
And for other reasons, apart from that,
I was unlikely to see such a Succès de scandale.
Other cinemas would defend the notriety
of the film better whilst raking in the takings.
In the 1990s I was introduced to the film
by a means I least expected: I was gay
and my closet door was half open
to the local mix of shame and acceptance
that could smuggle itself thru the half open door.
Through chances lost to shame and time
I met a Fransiscan friar who was also closeted
whilst 'living in the community' as part of his order.
He invited me to his flat, perhaps thinking
that in my youth I might be more confident
about the mix of sin, faith, and secrecy then he was,
though which of those three I'd be more confident in
at the time. or since, was for anyone to guess at/
His favourite film was 'The Devils'
which he quietly said he liked for the violence in it,
where I understood his reasoning: he had endured
more than enough machismo-as-entertainment,
though for me it came through the wrestling
that divided me as I watched it on television
- by order of dad - since I was in short trousers.
It took him an age to explain how the film
'was more violent. before the censors intervened'.
He cued up his VHS video to the right points
to make our viewing it a shared experience,
I was more unengaged than repelled at what
flickered across the screen. I did not react,
but I thought the dressing up was impesssive.
I understood his point, which I'd never seen
expressed in such 'art house film' terms.
You can guess what he wanted help with next.
I did not freak out, he was an ordinary old man
with a past that would have taken more time
to unpack than either of us had time for.
At some point I left him to watch more
of the on-screen violence on his own.
If he were alive today would he join the public
to see the new unexpurgated version of the film?
Or would he only seek to re-enact his old fears
or love of violence by viewing the film in private?