........................................................................................ - a weBlog by Snowy and me.
Friday, 13 December 2019
Thursday, 12 December 2019
My First Christmas Card Of 2019
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| Taken form the travelling exhibition of photographs 'Nothing To See Here' a collection of images of the homeless, the destitute, and those for whom choice means drug and alcohol misuse, all pictures taken in Bradford. |
Wednesday, 11 December 2019
Democratic Immaturity
In the era of modern media,
elections make politicians hide
behind non-speaking photo opportunities
where for a short while they play act
as if they are near-to-normal people.
But this makes them seem like children
as accounted for by Victorian parents
where 'children should be seen and not heard',
or watched and not listened to, whether down mines,
up chimneys, in the workhouse, or just being fed.
But the modern public are not Victorian parents;
the situation is now reversed, we are keen to hear
what these suddenly shy creatures of privilege
who see their only choice as being to lead others
have to say for themselves to defend their motives.
elections make politicians hide
behind non-speaking photo opportunities
where for a short while they play act
as if they are near-to-normal people.
But this makes them seem like children
as accounted for by Victorian parents
where 'children should be seen and not heard',
or watched and not listened to, whether down mines,
up chimneys, in the workhouse, or just being fed.
But the modern public are not Victorian parents;
the situation is now reversed, we are keen to hear
what these suddenly shy creatures of privilege
who see their only choice as being to lead others
have to say for themselves to defend their motives.
Monday, 9 December 2019
Bad Speech
In the present show of nervous malcontent,
nothing much seems Heaven sent,
particularly when on the radio
all talk between experts
openly hides more than it shows.
The clearest sense of 'the demos'
comes from the questions
that the common people ask
in front of those seeking power,
for which those in power
will have no answer.
nothing much seems Heaven sent,
particularly when on the radio
all talk between experts
openly hides more than it shows.
The clearest sense of 'the demos'
comes from the questions
that the common people ask
in front of those seeking power,
for which those in power
will have no answer.
Thursday, 5 December 2019
Tuesday, 3 December 2019
When The Accent Makes The Difference
With universal suffrage we can add
one more item to what we all face;
after the inevitable death and taxes
we all have the right/duty to vote.
More exactly this means the duty to listen
to the content in the political campaigns
even when we want swear or hold our nose
at the words some party leaders speak.
With votes now held annually and biannually
for local and national offices of state
it will be hard to know who to vote for.
The one thing that a candidate can't hide
is their accent, and they will all be
between posh and regional.
Others will choose for themselves
but for me a regional accent
will draw me in to listen
with more appreciation.
one more item to what we all face;
after the inevitable death and taxes
we all have the right/duty to vote.
More exactly this means the duty to listen
to the content in the political campaigns
even when we want swear or hold our nose
at the words some party leaders speak.
With votes now held annually and biannually
for local and national offices of state
it will be hard to know who to vote for.
The one thing that a candidate can't hide
is their accent, and they will all be
between posh and regional.
Others will choose for themselves
but for me a regional accent
will draw me in to listen
with more appreciation.
Sunday, 1 December 2019
Picture Set Of The Month - December
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| 'Life Goes On' painted in 1970 by Soviet painter Tatiana Lablonska (1917-2005). |
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| 'Grain' painted in 1949 by Soviet painter Tatiana Lablonska (1917-2005). |
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| 'In Spring' painted by Soviet Painter Tatiana Lablonska (1917-2005). |
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| The Artist's Granddaughter Playing the Piano painted in 1997 by Tatiana Lablonska (1917-2005) |
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